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User's Guide Fireface UCX © RME
23. Operation and Usage
23.1 General
The Fireface UCX has an internal memory to permanently store all configuration data. The data
is stored directly after any change, and is loaded at power-on. Saved settings are:
Settings dialog
Sample rate, clock mode Master/Slave, configuration of the channels and the digital I/Os.
TotalMix
The complete mixer state.
This also improves the clock situation immediately after power-on, avoiding wrong clocking and
noise disturbances in a complex setup, caused by wrong synchronization.
While the three rotary encoders and the clear colour display of the Fireface UFX are missing in
the Fireface UCX, it still uses the same engine inside, and subsequently has all the stand-alone
features found in the UFX. The full Mackie Protocol and MIDI remote support makes it possible
to use the unit even without connected computer, still being able to change many parameters.
Additionally the internal memory can permanently store six more states of the unit. Therefore
the Fireface UCX can transform into totally different devices by the simple click of a button.
Finally, as TotalMix can also be controlled via MIDI (see chapter 28.6, Stand-Alone MIDI Con-
trol), the examples shown below are really useful applications that you should keep in mind.
23.2 Front Panel Operation
The knob on the front, a so called rotary encoder, serves to set the input gains and output vol-
umes directly at the unit. The encoder operates either in CHANNEL or in LEVEL mode. Pushing
the knob changes between these modes. The currently active mode is indicated by a green
LED. Pushing the knob repeatedly gives quick access to PH (Phones) for a fast access of the
main volume control.
In CHANNEL mode, selection of the desired channel is done by turning
the knob. The following strings will be shown in the display:
i.1 to i.4 Mic input 1 up to instrument/line input 4
L.1 to L.6 Line output 1 up to line output 6
PH Phones (line output 7/8)
SP SPDIF output
A.1 to A.8 ADAT output 1 up to 8
SU Load Setup
i.1 / i.2
The gain of the two microphone inputs 1/2 can be defined in the range of 10 dB up to 65 dB in
steps of 1 dB. Additionally the setting 0 dB is available. The gain change is performed in the
analog domain.
i.3 / i.4
The gain of the two instrument/line inputs 3/4 can be defined in the range of 0 dB up to 12 dB in
steps of 0.5 dB. The x.5 dB values are signalled by a dot to the right. The gain change is per-
formed in the digital domain.
L.1 to L.6, PH, SP, A.1 to A.8
The output levels of these outputs can be defined in the range of +6 dB down to –58 dB in steps
of 1 dB. Values below 0 dB are indicated by a dot to the right. The lowest value is maximum
attenuation (mute, shown as oo.). The gain change is performed digitally by TotalMix.
- Fireface UCX 1
- General 2
- Inputs and Outputs 3
- Stand-Alone Operation 3
- TotalMix FX 4
- Class Compliant Mode 5
- Technical Reference 5
- Miscellaneous 5
- 1. Introduction 8
- 2. Package Contents 8
- 3. System Requirements 8
- 5. First Usage – Quick Start 9
- 5.2 Quick Start 10
- 6.3 Firmware Update 12
- 7. Configuring the Fireface 13
- 7.2 Settings Dialog - Pitch 15
- 8. Operation and Usage 16
- 8.2 DVD-Playback (AC-3/DTS) 17
- 8.3 Notes on WDM 18
- 8.4 Channel Count under WDM 19
- 8.5 Multi-client Operation 19
- 8.6 Analog Recording 20
- 8.7 Digital Recording 20
- 9. Operation under ASIO 22
- 9.3 Known Problems 23
- 11. DIGICheck Windows 24
- 13.3 Firmware Update 29
- 14.1 Settings Dialog 29
- 15. Mac OS X FAQ 32
- 15.5 Various Information 33
- 17. DIGICheck Mac 34
- 19. Analog Inputs 38
- 19.3 Instrument / Line Front 39
- 20. Analog Outputs 40
- 21. Digital Connections 41
- 21.3 MIDI 42
- 22. Word Clock 43
- 22.3 Cabling and Termination 45
- 22.4 Operation 45
- 23. Operation and Usage 48
- 23.3 Class Compliant Mode 49
- 24. Examples 50
- 25. Routing and Monitoring 52
- 25.2 The User Interface 54
- 25.3 The Channels 55
- 25.3.1 Settings 57
- 25.3.2 Equalizer 58
- 25.3.3 Dynamics 60
- 25.4 Section Control Room 61
- 25.5 The Control Strip 62
- 25.5.1 View Options 63
- 25.5.2 Snapshots - Groups 64
- 25.6 Reverb and Echo 67
- 25.7 Preferences 70
- 25.8 Settings 72
- 25.8.1 Mixer Page 72
- 25.8.2 MIDI Page 73
- 25.8.3 OSC Page 74
- 25.8.4 Aux Devices 75
- 25.9 Hotkeys and Usage 76
- 25.10 Menu Options 77
- 26. The Matrix 78
- 27. Tips and Tricks 79
- 27.6 MS Processing 81
- 28. MIDI Remote Control 82
- 28.3 Setup 83
- 28.4 Operation 83
- 28.5 MIDI Control 84
- 28.7 Loopback Detection 87
- 29. General 90
- 30. System requirements 90
- 31. Operation 91
- 33. Front Panel Operation 94
- 35. Setups 95
- 36. Technical Specifications 98
- 36.2 MIDI 99
- 36.3 Digital 99
- 36.4 Digital Inputs 99
- 36.5 Digital Outputs 100
- 36.6 General 100
- 37. Technical Background 101
- 37.2 Latency and Monitoring 102
- 37.3 USB Audio 103
- 37.4 FireWire Audio 104
- 37.6 QS – Quad Speed 105
- 37.5 DS - Double Speed 105
- 37.8 SteadyClock 106
- 38. Diagrams 107
- 38.2 Connector Pinouts 108
- 39. Accessories 110
- 40. Warranty 110
- 41. Appendix 111
- 42. CE / FCC Compliance 112
- Note on Disposal 112
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