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User's Guide Fireface UCX © RME
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34. Audio Routing and Processing
In Class Compliant mode, the UCX features operation very similar to normal operation with
TotalMix FX, with two major differences:
¾ There is no second TotalMix row (no software playback channels), hence no individual
routing or mixing of playback channels. These will always be connected either straight to the
physical outputs (CA), or have an additional signal copy from 1/2 to 7/8 and SPDIF/ADAT
(C8), making the headphone output usable even in stereo mode.
¾ The input effects EQ/Dyn will always be active in the recording path
Therefore the UCX is also a very powerful tool in CC mode, and can even be pre-configured via
TotalMix FX under Windows/Mac. Apart from the current configuration, which will be preserved,
the possibility of saving up to 6 configurations in the setup memory is very useful, allowing for a
quick reconfiguration.
The input signal will pass through all activated functions of the TM FX input channel, namely
settings, EQ, and Dynamics, and is then sent to the iPhone/iPad. Like under Windows and Mac,
the input fader controls direct monitoring to outputs 1/2 and 7/8. The FX send control for
echo/reverb is also active.
As in normal TotalMix FX use, the options Stereo Width, MS Proc and Phase L/R are NOT
within the recording path, but in the monitor path. This is technically determined and can not
be changed.
The iPhone/iPad output signal passes through all activated functions of the TM FX hardware
outputs, namely settings, EQ, and dynamics. The third row’s fader sets the output level.
Control Room Section settings are inactive. Configuring the Phones output is done by
output channel 7/8.
With the mirroring of signals to SPDIF and ADAT outputs in C8 mode, the UCX features two
simultaneously usable digital outputs, with independent processing (volume, EQ, Dyn, FX Re-
turn), even when using standard 2-channel apps.
35. Setups
TotalMix FX can transfer all current settings to the device (Options/Store Current State into
Device). There are six memory slots (Setups) available. An example:
¾ Inputs with no processing, gain set to +30 dB and phantom power active. Outputs without
processing, faders for 1/2 set to 0 dB, 7/8 at – 20 dB, clock mode master, saved in Setup 1.
¾ Inputs with Compressor, Factory Preset Mix Limiter (digital overload protection), gain set to
+30 dB, no phantom power, outputs 1/2 with EQ (factory preset Modern Bass Treble),
outputs 7/8 with EQ (factory preset Cheap Phones Compensation), faders for 1/2 at 0 dB,
7/8 at -20dB, clock mode AutoSync, saved in Setup 2.
In CC mode, the encoder in the SU - Level menu can switch between setups 1 and 2 at any
time, alternating between entirely different configurations. Further examples would be activating
reverb/echo, or temporary monitoring of the input signal. Very comfortable is the use of the Ad-
vanced Remote, as in CC mode its 6 upper buttons steer the Setups 1 to 6 directly
On the iPad the optional app TotalMix FX for iPad gives full control of all functions and parame-
ters in real-time and with full overview, similar to working under Windows and Mac.
- Fireface UCX 1
- General 2
- Inputs and Outputs 3
- Stand-Alone Operation 3
- TotalMix FX 4
- Class Compliant Mode 5
- Technical Reference 5
- Miscellaneous 5
- 1. Introduction 8
- 2. Package Contents 8
- 3. System Requirements 8
- 5. First Usage – Quick Start 9
- 5.2 Quick Start 10
- 6.3 Firmware Update 12
- 7. Configuring the Fireface 13
- 7.2 Settings Dialog - Pitch 15
- 8. Operation and Usage 16
- 8.2 DVD-Playback (AC-3/DTS) 17
- 8.3 Notes on WDM 18
- 8.4 Channel Count under WDM 19
- 8.5 Multi-client Operation 19
- 8.6 Analog Recording 20
- 8.7 Digital Recording 20
- 9. Operation under ASIO 22
- 9.3 Known Problems 23
- 11. DIGICheck Windows 24
- 13.3 Firmware Update 29
- 14.1 Settings Dialog 29
- 15. Mac OS X FAQ 32
- 15.5 Various Information 33
- 17. DIGICheck Mac 34
- 19. Analog Inputs 38
- 19.3 Instrument / Line Front 39
- 20. Analog Outputs 40
- 21. Digital Connections 41
- 21.3 MIDI 42
- 22. Word Clock 43
- 22.3 Cabling and Termination 45
- 22.4 Operation 45
- 23. Operation and Usage 48
- 23.3 Class Compliant Mode 49
- 24. Examples 50
- 25. Routing and Monitoring 52
- 25.2 The User Interface 54
- 25.3 The Channels 55
- 25.3.1 Settings 57
- 25.3.2 Equalizer 58
- 25.3.3 Dynamics 60
- 25.4 Section Control Room 61
- 25.5 The Control Strip 62
- 25.5.1 View Options 63
- 25.5.2 Snapshots - Groups 64
- 25.6 Reverb and Echo 67
- 25.7 Preferences 70
- 25.8 Settings 72
- 25.8.1 Mixer Page 72
- 25.8.2 MIDI Page 73
- 25.8.3 OSC Page 74
- 25.8.4 Aux Devices 75
- 25.9 Hotkeys and Usage 76
- 25.10 Menu Options 77
- 26. The Matrix 78
- 27. Tips and Tricks 79
- 27.6 MS Processing 81
- 28. MIDI Remote Control 82
- 28.3 Setup 83
- 28.4 Operation 83
- 28.5 MIDI Control 84
- 28.7 Loopback Detection 87
- 29. General 90
- 30. System requirements 90
- 31. Operation 91
- 33. Front Panel Operation 94
- 35. Setups 95
- 36. Technical Specifications 98
- 36.2 MIDI 99
- 36.3 Digital 99
- 36.4 Digital Inputs 99
- 36.5 Digital Outputs 100
- 36.6 General 100
- 37. Technical Background 101
- 37.2 Latency and Monitoring 102
- 37.3 USB Audio 103
- 37.4 FireWire Audio 104
- 37.6 QS – Quad Speed 105
- 37.5 DS - Double Speed 105
- 37.8 SteadyClock 106
- 38. Diagrams 107
- 38.2 Connector Pinouts 108
- 39. Accessories 110
- 40. Warranty 110
- 41. Appendix 111
- 42. CE / FCC Compliance 112
- Note on Disposal 112
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